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As the creative force behind the look of the wildly popular 1970s London fashion store Big Biba, Thomas knows a thing or two about engineering excitement. “An act of bravery”Interior designer Thomas had already designed Hulanicki and Fitz-Simon’s home and the third Biba store in 1968 before being approached about the landmark seven-level store. “Fitz offered me two floors (of Big Biba) but I wanted it all,” he recalled of his initial involvement. Tim WhiteWhile Wintour’s shopgirl life was short-lived, Big Biba’s staff were a vital component of the experience remembered Thomas. In 1969, the independent company sold a majority of its shares to another British fashion retailer Dorothy Perkins which, in August 1973 (a month before Big Biba opened), was then bought by a property development company called British Land.
Persons: CNN —, , Steven Thomas, Thomas, Barbara Hulanicki, Stephen Fitz, Simon —, Andy Warhol, Marcel Hennequet, , “ David Bowie, Mick Jagger, Bryan Ferry, John Bishop “ Fitz, Ian Dury, Fitz, Simon, Singer Annie Lennox, Doreen Spooner, Daily, Martin Pel, Mary Quant, Anna Wintour, , York’s Bergdorf Goodman, Simon’s, “ Fitz, Tim, Whitmore, Tim White, “ Biba, Barbara, Ken Russell’s, Biba, Hulanicki, Buckingham, Kasia, Dorothy Perkins, Pel Organizations: CNN, New York Dolls, Shoppers, Textile Museum, Street, Disney, Big, Buckingham Palace Locations: London, Kensington
If I were asked to condense the entire era of prestige television — all its plots, moods, tropes and aesthetics — for time travelers from an entirely different entertainment era, I’d probably have them sit down and watch the first season of “True Detective,” the eight episodes starring Woody Harrelson and Matthew McConaughey during his “McConaisance” career phase of perfect role selection. In those eight-odd hours of television drama from 2014, you can see almost all the distinctive features of prestige TV as we’ve known it for the past 25-odd years. Like many prestige-era shows, the original “True Detective” is a dark reworking of a traditional American genre, in this case the police procedural in which odd-couple detective partners turn out to be perfect for each other. It’s a small-screen story that draws a lot of oomph from casting marquee big-screen actors. It’s a drama pitched to blue-state HBO subscribers that’s set somewhere “out there,” beyond the creative-class cosmopolis, where liberal modernity seemingly dissolves back into violence and primitivism.
Persons: I’d, Woody Harrelson, Matthew McConaughey, , It’s, it’s, HBO Davids, Chase, Milch, Simon — it’s, Nic Pizzolatto, Cary Joji Fukunaga Organizations: HBO Locations: American
True to form, Swift ensured this year's Grammy discourse would be dominated by her music, even if she didn't win a major award. Alas, the evening ended with Swift notching her record-breaking fourth win for album of the year. I was even more disappointed to watch Swift win over SZA, whose sophomore album, "SOS," earned universal acclaim. Despite being the most awarded person in Grammy history, Beyoncé has won only once in a general-field category (song of the year for "Single Ladies" in 2010). Only 11 Black artists have ever won album of the year.
Persons: , Miley Cyrus, palpably, Victoria Monét, Billie Eilish's, Joni Mitchell's, Taylor Swift, Swift, Stevie Wonder, Frank Sinatra, Paul Simon —, Stone, Lauryn Hill, Mikael Wood, SZA, Timothy Norris, FilmMagic, Jay, Beyoncé, Harry Styles Organizations: Service, Business, Poets Department, Los Angeles Times, Recording Academy
Takeaways From a Grammy Night Where Women Reigned
  + stars: | 2024-02-04 | by ( Ben Sisario | ) www.nytimes.com   time to read: +1 min
Women thoroughly dominated the 66th annual Grammy Awards on Sunday, with a history-making album of the year win by Taylor Swift and victories by Miley Cyrus, Billie Eilish, SZA, Lainey Wilson, the Colombian pop star Karol G and the band boygenius. The wins capped a year when women were extraordinarily successful in pop music, and also signified a change for the Grammys, which have frequently been criticized — as recently as five years ago — for overlooking female artists on the show. In addition to the wins, the show featured powerful performances by SZA, Eilish, Dua Lipa, Olivia Rodrigo and even Joni Mitchell and Tracy Chapman — two godmothers of modern songwriting who have made only rare public appearances in recent years. In taking album of the year for “Midnights,” Swift became the first artist to win the Grammys’ top prize four times, beating a trio of male legends — Frank Sinatra, Stevie Wonder and Paul Simon — who had three.
Persons: Taylor Swift, Miley Cyrus, Billie Eilish, Lainey Wilson, Karol G, , SZA, Olivia Rodrigo, Joni Mitchell, Tracy Chapman, , ” Swift, — Frank Sinatra, Stevie Wonder, Paul Simon — Locations: Colombian, Dua Lipa
Ruth SimonRuth Simon is a New York-based reporter for The Wall Street Journal, where she covers small business and entrepreneurship. She has previously covered consumer lending, mortgages and housing, and reported for WSJ's Personal Journal and Money & Investing sections. Ms. Simon won a 2019 Best in Business Award from the Society of American Business Editors and Writers for her coverage of the impact of the labor squeeze on small business. She was part of a WSJ team that received a 2021 New York Press Club award for spot news coverage of the Paycheck Protection Program rollout. In 1995, she won the Award for Excellence in Financial Writing from the New York State Society of Certified Public Accountants.
Persons: Ruth Simon Ruth Simon, Simon, Gerald Loeb, Loeb, Organizations: Wall Street, Society of American Business, Writers, WSJ, New York Press, Money, Forbes Magazine, Distinguished Business, Financial, National Press Foundation, New York Newspaper Publishers Association, New York State Society of Certified Public Accountants, New York City, Society of Professional Journalists, Finance Locations: New York
As in “Women Talking,” the creators of “Alice, Darling” step away from pulp tropes in order to step away from patriarchal violence — and patriarchal control. The creators of “Alice, Darling” step away from pulp tropes in order to step away from patriarchal violence — and patriarchal control. But in “Alice, Darling” Sophie and Tess are a resource rather than cannon fodder. Much of “Alice, Darling” is made up of small, telling moments — Alice refusing to sing along as Sophie plays guitar, Tess putting her hand on Sophie’s heart. By nodding to stalker/slasher films while refusing to be a stalker/slasher film, “Alice, Darling” may irritate or confuse some viewers.
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